Casandra Gedert
Design


About
Experience
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Casandra Gedert Hamilton is a jack-of-all-trades graphic designer with over 4 years of experience, specializing in exhibition/environmental design, brand identity, and visual communication across both print and digital media. 
She is an illustrator, hand-poked tattoo artist, seamstress, occasional photographer, and nail artist. 

Exhibition: Florida Prize in Contemporary Art 2026
Client:
Orlando Museum of Art
Deliverables: 20 ft. banners, lightpole banners, title wall design, digital assets for social media and email
Dates: May 30 - August 23, 2026
The Florida Prize in Contemporary Art is organized by the Orlando Museum of Art (OMA) to bring new recognition to the most progressive artists in the State. Each year OMA’s curatorial team surveys artists working throughout the State before inviting ten to participate. One artist is selected by an invited juror to receive a $20,000 award. Artists range from emerging to mid-career, often with a distinguished record of exhibitions and awards that reflect recognition at national and international levels. In all cases they are artists who are engaged in exploring significant ideas of art and culture in original and visually exciting ways. The Florida Prize in Contemporary Art underscores OMA’s commitment to the art of our time, and to supporting artists who live and work in our State.




The Florida Prize is an annual exhibition that features 10 Florida artists. Each year, no work is released or photographed prior to the opening of the exhibition. This creates a tension: How do you promote an exciting exhibition when you can't share the images on display? How do you sell guests on coming to an opening reception without a preview of the work they’ll see? 

To address this and prevent the museum’s social media feed from being dominated by the same graphic before opening, I created these graphics to introduce each of our artists in depth. Each follows a structure and pairs with the exhibition background, but features the headshots and works of each artist. It presents dense information, alongside visuals. This presents an opportunity for people to get a sneak peek, while also providing a platform for each artist to be highlighted and to share something with their likeness on it. 

These artist features are shared twice a week,  leading up to the opening reception, with a total of 10 features.







The same tension arises in advertising the exhibition's Preview Party. Based on guest feedback from previous years, I created a journey chart showing we need to emphasize the party's context. More guests knew about the exhibition, but didn’t realize how exciting the “party” aspect was. Another factor was guests not understanding what was included in the price point. 

In Orlando, many locals are used to spending hundreds on experiences they know to be worth it - Universal, Disney - but are reluctant to spend on experiences they’re unsure of. Incorporating video and pictures from previous years to emphasize the installation aspects of the art, the local food, and the party was part of our strategy this year.